The Singing Detective Imdb

Critics Consensus: Delightful performance from Robert Downey Jr. Can't save The Singing Detective's transition from TV to the big screen. The Singing Detective is a 2003 American musical crime comedy film directed by Keith Gordon and loosely based on the BBC serial of the same name, a work by British writer Dennis Potter. IMDb 5.6 109 min 'While hospitalized with an extreme case of psoriasis, novelist Dan Dark reworks his first book in his head. Feverish, paranoid and prone to musical outbreaks, he confuses himself with his protagonist, a detective investigating the murder of a prostitute in 1950s Los Angeles.'

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Directed by

Keith Gordon

Writing Credits

Dennis Potter.. (screenplay)
Dennis Potter.. (television series)

Cast (in credits order) complete, awaiting verification

Robert Downey Jr. .. Dan Dark
Robin Wright .. Nicola / Nina / Blonde (as Robin Wright Penn)
Mel Gibson .. Dr. Gibbon
Jeremy Northam .. Mark Binney
Katie Holmes .. Nurse Mills
Adrien Brody .. First Hood
Jon Polito .. Second Hood
Carla Gugino .. Betty Dark / Hooker
Saul Rubinek .. Skin Specialist
Alfre Woodard .. Chief of Staff
Amy Aquino .. Nurse Nozhki
David Dorfman .. Young Dan Dark
Eddie Jones .. Moonglow Bartender
Lily Knight .. Woman Physiotherapist
Clyde Kusatsu .. Visiting Japanese Doctor
Earl Poitier .. Orderly (as Earl C. Poitier)
Don Fischer .. Intern
Andy Umberger .. Mr. Dark
David Denman .. Soldier with Betty Dark
Alec Puro .. Dark's Drummer
Renn Hawkey .. Dark's Bass Player
Bryan Law .. Dark's Guitar Player
Carla Anderson .. Dancer
Sandahl Bergman .. Dancer
Rita Bland .. Dancer
Billy Bonsangue .. Dancer
Sergio Carbajal .. Dancer
Leonard Crofoot .. Dancer
Erin Crouch .. Dancer
Kiva Dawson .. Dancer
Richard Dorton .. Dancer
Brenda Mae Hamilton .. Dancer (as Brenda Hamilton)
Gordon Hart .. Dancer
Famisha La Pree .. Dancer
Suzi Lonergan .. Dancer (as Suzie Lonergan)
Eva Mikita .. Dancer
Tara Nicole Hughes .. Dancer (as Tara Nicole)
Regan Patno .. Dancer
Randi Cee .. Dancer (as Randi Pareira)
Sandra Plazinic .. Dancer
Sheldon Robins .. Dancer
DeAnna Kane .. Dancer (as DeAnna Steele)
Tasha Tae .. Dancer
Elle Taylor .. Dancer
Delila Vallot .. Dancer (as Jessica Vallot)
Dee Dee Weathers .. Dancer
Spice Williams-Crosby .. Dancer (as Spice Williams)
Darrel W. Wright .. Dancer (as Darrel Wright)
Dani Wylie .. Dancer
Rest of cast listed alphabetically:
Rusty Nelson .. Bus Rider (uncredited)

The Singing Detective 2003 Imdb

Produced by

Bruce Davey.. producer
Mel Gibson.. producer
Steven Haft.. producer
Kevin Lake.. associate producer
Jane Potter.. co-producer
Robert Potter.. co-producer
Sarah Potter.. co-producer
Stan Wlodkowski.. executive producer

Cinematography by

Tom Richmond.. director of photography

Film Editing by

Jeff Wishengrad

Casting By

Denise Chamian

Production Design by

Patricia Norris

Set Decoration by

Jan K. Bergstrom

Costume Design by

Patricia Norris

Makeup Department

Linda Benavente-Notaro.. makeup effects: specialty costumer, Captive Audience (as Linda Venevente-Notaro)
Anita Brabec.. makeup artist
Patricia Budz.. hair stylist
Greg Cannom.. makeup effects creator
Cory Czekaj.. makeup effects technician: Captive Audience
Alexei Dmitiew.. makeup effects production assistant: Captive Audience (as Alexie O'Brien)
David Dupuis.. makeup effects technician: Captive Audience
Consuelo Durán.. makeup effects: specialty costumer, Captive Audience (as Consuelo Duran)
Nathan Franson.. makeup effects technician: Captive Audience Productions
Gregory J. Goertzen.. makeup effects production assistant: Captive Audience (as Gregory Goertzen)
Claudia Hardy.. makeup effects: specialty costumer, Captive Audience
Tom Killeen.. makeup effects technician: Captive Audience
John Kim.. makeup effects technician: Captive Audience
Mary Kim.. production supervisor: Captive Audience
Vera Mitchell.. hair designer: Mr. Gibson
Mark Nieman.. makeup effects technician: Captive Audience
Michael Peterson.. lab makeup effects / makeup effects technician: Captive Audience
Pam Phillips.. key makeup artist
Art Pimentel.. mold shop supervisor: Captive Audience (as Arthur Pimentel)
Stephen Robinette.. hair stylist (as Steve Robinette)
Sam Sainz.. makeup effects technician: Captive Audience
Brian Sipe.. lead character designer: Captive Audience (as Brian Spie) / special makeup supervisor
Todd Tucker.. makeup assistant
Brian Van Dorn.. makeup effects technician: Captive Audience (as Brian Vandorn)
Keith VanderLaan.. makeup effects creator (as Keith Vanderlaan)
Toni-Ann Walker.. hair stylist supervisor
Patty York.. makeup supervisor

Production Management

Rajeev Malhotra.. post-production supervisor
Stan Wlodkowski.. unit production manager

Second Unit Director or Assistant Director

Eric Heffron.. first assistant director
Michael J. Moore.. second assistant director (as Michael Moore)
David K. Riebel.. second second assistant director (as David Reibel)

Art Department

Curtis Allen.. set dresser
Larry Boyd.. set dresser
Alberto Mauricio Caballero.. labor foreman
Michael Casey.. leadman
Keith Cox.. construction coordinator
Paul Detlefson.. set dresser
Donna Ekins-Kapner.. set decorating coordinator (as Donna Ekins)
Maureen Farley.. property master
Dick Girod.. paint foreman (as Richard Girod)
Brenner Hugh Harris.. set dresser (as Brenner H. Harris)
Brent David Mannon.. props
Merdyce McClaran.. assistant property master
David C. Nute.. location foreman (as David Nute)
Maureen Osborne.. set dresser
C.J. Pyles.. on-set dresser
Jimmy Simeone.. set dresser
Robert Soles.. plaster foreman
Gustavo Traslavina.. construction foreman
Jim Wardell.. set dresser
Maureen Osborne.. buyer (uncredited)

Sound Department

David Franklin Bergad.. adr editor (as David Bergad)
Mark Berger.. re-recording mixer
Frank Canonica.. machine room recordist
Piotr Filipowski.. sound effects editor
Anna Geyer.. machine room recordist
Chris Gridley.. assistant sound editor (as Christopher Gridley)
Nathan Gunn.. assistant sound editor
Rick Kahn.. transfer room operator
James Lebrecht.. sound designer
Marnie Moore.. foley artist
Chris Navarro.. adr recordist
John Nutt.. supervising sound editor
Margie O'Malley.. foley artist
David Parker.. re-recording mixer
Rocky Quiroz.. cable person
Frank Rinella.. foley recordist
Earl Sampson.. boom person
Jonathan Schwartz.. apprentice sound editor
Daniel Sperry.. sound consultant: Dolby (as Dan Sperry)
Greg Steele.. adr mixer
Patti Tauscher.. foley editor
Viet Tran.. transfer room operator
Richard Van Dyke.. sound mixer
James Willetts.. assistant foley recordist

Special Effects by

Scott Blackwell.. special effects foreperson
Jeremy Hays.. special effects
David Peterson.. special effects coordinator

Visual Effects by

Helena Packer.. digital effects designer: WhoDoo EFX / lead digital artist: WhoDoo EFX
Mark Ritcheson.. digital effects producer: Whodoo VFX

Stunts

Christine Anne Baur.. stunts (as Christine Bauer)
Simone Boisseree.. stunts (as Simone Boiseree)
Frankie 'G' Garbutt.. stunts
Jeff Habberstad.. stunt coordinator
Michael Hilow.. stunts
Chris Howell.. stunts
Paul Sklar.. stunts
Erik Stabenau.. stunts (as Erick Stabenau)
Clark Tucker.. stunts
Michael Hilow.. stunt double: Adrien Brody (uncredited)
Clark Tucker.. stunt double: Robert Downey Jr. (uncredited)

Camera and Electrical Department

Dana Lee Anderson.. company grip (as Dana Anderson)
Robert Anzures.. rigging grip
Jon Archibald.. rigging grip (as Jon C. Archibald)
Nick Arnds.. best boy grip
Eddie Avila.. second assistant camera
Randy Babchuck.. electrician
Robert Bennett.. camera operator (as Robert P. Bennett)
Geb Byers.. first assistant camera
John Chickanis.. electrician
Bill Daimant.. company grip (as William 'Billy' Diamant)
Kenny Davis.. dolly grip (as Kenneth Davis)
Joseph Dianda.. key grip
Alan B. Edwards.. rigging gaffer (as Alan Edwards)
Rob Forrest.. company grip (as Robert Forrest)
Alan Frazier.. best boy electric
Jimi Johnson.. video assist operator
Dan Jones.. camera loader
Ted Kennedy.. dolly grip
Dan Kneece.. steadicam operator
Chris Lewis.. additional rigging gaffer
Shaun Madigan.. gaffer (as Shaun J. Madigan-McClelland)
Richard C. Miller.. first assistant camera (as Richard Miller)
Sacha Riviere.. second assistant camera
Lorey Sebastian.. still photographer
Charles Simons.. dolly grip

Casting Department

Jennifer Bender.. extras casting
Dena Berman.. casting associate
Barbara Harris.. adr voice casting

Costume and Wardrobe Department

Tom Dawson.. costume supervisor
Anne Hartley.. key costumer (as Anne Winsor Hartley)
Kelly Lindquist.. key costumer
Mimi Maxmen.. assistant costume designer

Editorial Department

Imelda Betiong.. assistant editor
Bob Fredrickson.. color timer
Bryan McMahan.. colorist: mastering
Anthony Miller.. assistant editor
Melissa Remenarich-Aperlo.. first assistant editor

Location Management

Jeremy Alter.. location manager
William Jorgenson.. assistant location manager
Carson Turner.. assistant location manager

Music Department

Steven Saxton.. executive music producer
Michael Carey Schneider.. music coordinator
Ken Weiss.. music supervisor

Transportation Department

Jeff Couch.. transportation captain
Paulie DiCocco.. driver
Alan Kaminsky.. transportation co-captain
Brian Kay.. production van driver
A. Welch Lambeth.. transportation coordinator (as Welch Lambeth)
John McLaughlin.. driver: honeywagon
Matthew Talamantes.. driver
Harold L. Woods.. driver

Other crew

Tony Baldridge.. technical supervisor: Legend Films, Inc.
Larry Ballard.. medic
Andrew Blau.. production coordinator
Sara Boik.. production assistant (as Sarah Boik)
Anna Bradley.. extras casting assistant
Steven Butensky.. production accountant
Vicki Christianson.. chief financial officer: Icon
Wil Collins.. production assistant
Atmadev Cornelius.. main title designer: MWP Editorial (as Ãtmadev Cornelius)
Marsha Craig.. studio teacher
Judy Dickerson.. dialect coach
Marc C. Geschwind.. extras coordinator
Penny Gillman.. payroll accountant (as Penny A. Gillman)
Paul Giorgi.. first assistant accountant
Jane Goldsmith.. script supervisor
Paul Green.. executive vice president: Icon
Casey Jordan.. production assistant
Jason Kennedy.. production assistant
Matt Lake.. production assistant
Bill Landrum.. choreographer
Jacqui Landrum.. choreographer (as Jacqui)
Jim Meenaghan.. business and legal affairs: Icon (as James Meenaghan)
Christos Michaels.. business and legal affairs for Icon Entertainment International
Beth Unger Morrison.. script clearance
Dale Ottley.. production secretary
Jimmy Rich.. assistant: Mr. Downey
Monica Rust.. medic
Janell M. Sammelman.. production assistant
Traceigh Scottel.. assistant production coordinator
Noah Segan.. production assistant
Rebecca Snavely.. assistant: Mr. Gordon
Shawn Stevens.. craft service
Amy Tillman.. business and legal affairs: Icon
Lisa Tritico.. medical advisor
Bonnie F. Watkins.. assistant: Mr. Davey
Hondo Weiss-Richmond.. production assistant
Marvin Williams.. production assistant (as Marvin J. Williams Jr.)
Michael J. Harker.. completion bond company representative (uncredited)

Thanks

Rachel Griffin.. the filmmakers wish to thank the following for their assistance
The Singing Detective
GenreFilm Noir
Musical
Created byDennis Potter
Written byDennis Potter
Directed byJon Amiel
StarringMichael Gambon
Jim Carter
Lyndon Davies
Patrick Malahide
Bill Paterson
Alison Steadman
Janet Suzman
Joanne Whalley
Imelda Staunton
Country of originUnited Kingdom
Original language(s)English
No. of series1
No. of episodes6
Production
Executive producer(s)Rick McCallum
Producer(s)Kenith Trodd
John Harris
Running time6h42m57s
Release
Original networkBBC1
Original release16 November –
21 December 1986
Chronology
Related showsPennies From Heaven(1978)
Lipstick on Your Collar(1993)

The Singing Detective is a BBC television serial drama, written by Dennis Potter, which stars Michael Gambon and was directed by Jon Amiel. The six episodes were 'Skin', 'Heat', 'Lovely Days', 'Clues', 'Pitter Patter' and 'Who Done It'.

The serial was broadcast in the United Kingdom on BBC1 in 1986 on Sunday nights from 16 November to 21 December with later PBS and cable television showings in the United States. It won a Peabody Award in 1989. It ranks 20th on the British Film Institute's list of the 100 Greatest British Television Programmes, as voted by industry professionals in 2000. It was included in the 1992 Dennis Potter retrospective at the Museum of Television & Radio and became a permanent addition to the Museum's collections in New York and Los Angeles. There was co-production funding from the Australian Broadcasting Corporation. It was released on DVD in the US on 15 April 2003 and in the UK on 8 March 2004.

  • 2Production
  • 4Music

Plot[edit]

Mystery writer Philip E. Marlow is suffering writer's block and is hospitalised because his psoriatic arthropathy, a chronic skin and joint disease, is at an acute stage forming lesions and sores over his entire body, and partially cripples his hands and feet. (Dennis Potter suffered from this disease himself, and he wrote with a pen tied to his fist in much the same fashion Marlow does in the last episode. Although severe, Marlow's condition was intentionally understated compared to Potter's whose skin would sometimes crack and bleed.)[1]

As a result of constant pain, a fever caused by the condition, and his refusal to take medication, Marlow falls into a fantasy world involving his Chandleresque novel, The Singing Detective, an escapist adventure about a detective (also named 'Philip Marlow') who sings at a dance hall and takes the jobs 'the guys who don't sing' won't take. Marlow is 'plot-dreaming,' trying out various solutions to a working plot in his head, deciding as he goes what plot element works best with what character or situation, interspersed with bits of ideas that occur to him off the wall, and discarding (with some afterthoughts) parts of his story that no longer work when other changes have been made.

The real Marlow also experiences flashbacks to his childhood in rural England, and his mother's life in wartime London. The rural location is presumably the Forest of Dean, Potter's birthplace and the location for filming, but this is never stated explicitly (though the young Philip's references to his home in 'the Forest' come close). The suicide of his mother is one of several recurring images in the series; Marlow uses it (whether subconsciously or not) in his murder mystery, and sometimes replaces her face with different women in his life, real and imaginary. The noir mystery, however, is never actually solved; all that is ultimately revealed is an intentionally vague plot involving smuggled Nazi war criminals being protected by the Allies and Soviet agents attempting to stop them. This perhaps reflects Marlow's view that fiction should be 'all clues and no solutions'.

The three worlds of the hospital, the noirthriller, and wartime England often merge in Marlow's mind, resulting in a fourth layer, in which character interactions that would otherwise be impossible (e.g. fictional characters interacting with non-fictional characters) occur. This is evident in that many of Marlow's friends and enemies (perceived or otherwise) are represented by characters in the novel: particularly, Raymond, Marlow's mother's lover, appears as the central antagonist in the 'real' and noir worlds (although the 'real' Binney/Finney is ultimately a fantasy as well). The use of Binney as a villain stems from the fact that Binney committed adultery with Marlow's mum and simultaneously (and perhaps publicly) cuckolded Marlow's dad, whom Marlow loved. Marlow's own guilt at his apparent belief that he caused his parents' separation and even his mother's suicide is exacerbated by his early childhood memory when he framed young Mark Binney for defecating on the desk of a disciplinarian elementary teacher (Janet Henfrey). The innocent Binney is brutally beaten in front of the classroom, and Marlow is lauded for telling the 'truth'. All of these events haunt Marlow, and one of the shadowy villains who apparently is determined to kill Marlow looks very much like an adult version of the real child, Mark Binney. The real Mark Binney eventually ends up in a mental institution, as Marlow confesses later to the psychiatrist. The villainous Binney/Finney character is killed off in both realities. It is suggested that in each reality, the guilt of Binney/Finney/Mark is entirely the product of Marlow's imagination as in one case, Finney the wife's lover does not exist, in the other it is the name of the character Marlow chooses as the guilty party and the boy's guilt is a lie told by Marlow to his teacher. However, in the end, Marlow chooses a killer, who looks more like adult Binney, to live, and himself to die, thus showing growth. Janet Henfrey has previously played the same character in Potter's earlier TV play Stand Up, Nigel Barton.

It has support for vinyl records, internet streaming, support for more audio formats (aac, ogg) and enhanced features MIDI. The program offers professional-quality audio, compatible with mp3 and wav. Traktor dj software windows 10. The new interface includes 4 decks, cache files, real effects and smart synchronization. The ability to control MIDI. Traktor Pro 2.10.3 Serial Key Features: The unique Auto-Sync feature two songs (and their phase rhythm), along with a loop, scratching and mixing, make the tractor the most effective tool.

Some members of the cast play multiple roles. Marlow and his alter-ego, the singing detective, are both played by Gambon. Marlow as a boy is played by Lyndon Davies. Mark Binney (schoolboy) is played by William Speakman. Davies and Speakman were contemporaries at Chosen Hill school in Gloucestershire, close to Potter's birthplace of the Forest of Dean. Patrick Malahide plays three central characters—the contemporary Finney, who Marlow thinks is having an affair with his ex-wife Nicola, played by Janet Suzman; the imaginary Binney, a central character in the murder plot; and Raymond, a friend of Marlow's father who has an affair with his mother (Alison Steadman). Steadman plays both Marlow's mother, and the mysterious 'Lili', one of the murder victims. At the end of the serial Marlow and Nicola appear to have repaired their relationship.

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Production[edit]

In Potter's original script, the hospital scenes and noir scenes were to be shot with television (video) and film cameras respectively, with the period material (Marlow's childhood) filmed in black-and-white.[1] However, all scenes were ultimately shot on film, over Potter's objections. Potter wanted the hospital scenes to maintain the sensibility of sitcom conventions.[1] Although this was tempered in the final script, some character interactions retain this concept. For example, Mr. Hall and Reginald, who are also intended to serve as a mock chorus for the main action occurring in the hospital.[1]

Originally, the title of the series was 'Smoke Rings', and the Singing Detective noir thriller was to be dropped after the first episode; Potter felt it would not hold the audience's attention.[1] The title may have referred to a particular monologue Marlow has in the first episode, referring to the fact that, despite everything else, the one thing he really wants is a cigarette.[1] Marlow's medical and mental progress is subtly gauged by his ability to reach over to his dresser and get his cigarettes.[1]

Sources[edit]

Borrowing portions of his first novel, Hide and Seek (1973), Potter added autobiographical aspects (or, as he put it, deeply 'personal' aspects),[1] along with 1940s popular music and the aforementioned film noir stylistics. The result is regarded by some as one of the peaks of 20th-century drama.[2] Marlow's hallucinations are not far from the Philip Marlowe in Murder, My Sweet, the 1944 film adaptation of Raymond Chandler's Farewell, My Lovely, with Dick Powell as Marlowe. Powell himself would later portray a 'singing detective' on radio's Richard Diamond, Private Detective, serenading his girlfriend, Helen Asher (Virginia Gregg), at the end of each episode.

A reference is made in the last episode to a novel by Agatha Christie, The Murder of Roger Ackroyd. Download myob premier v19. This may be meant to suggest that Marlow is an unreliable narrator.

Influence[edit]

Although The Singing Detective did not meet with spectacular viewing figures, it proved influential within the television industry. The serial met with considerable critical praise in America. Steven Bochco has credited the serial as the chief inspiration for Cop Rock (1990), although unlike The Singing Detective, Bochco's drama features specially recorded musical numbers rather than pre-existing work.

The serial was adapted into a 2003 American film featuring Robert Downey, Jr. and Mel Gibson, with the locations changed to the United States.

Movie

The British rock band Elbow took their name from a line in the series that declared elbow the 'loveliest word in the English language'.[3] Creative labs ct4780 sound blaster live driver.

Music[edit]

As well as its dark themes, the series is notable for its use of 1940s-era music, often incorporated into surreal musical numbers. This is a device Potter used in his earlier miniseries Pennies from Heaven. The main theme music is the classic 'Peg o' My Heart', of Ziegfeld Follies fame. The upbeat music as the theme for such a dark story is perhaps a reference to Carol Reed's The Third Man, with a harmonica in the place of a zither (The Third Man is indeed referenced in a number of camera shots, according to DVD commentary).[1] Director Jon Amiel compiled and spliced the generic thriller music used throughout the series from 60 library tapes he had brought together.[1]

The Singing Detective Film

The following is a chronological soundtrack listing:

  • 'Peg o' My Heart' – Max Harris & his Novelty Trio (theme song; instrumental)
  • 'I've Got You Under My Skin' – The BBC Dance Orchestra directed by Henry Hall
  • 'Blues in the Night' – Anne Shelton
  • 'Dry Bones' – Fred Waring and His Pennsylvanians
  • 'Rockin' in Rhythm' – The Jungle Band (Duke Ellington and his Famous Orchestra)
  • 'Cruising Down the River' – Lou Preager Orchestra
  • 'Don't Fence Me In' – Bing Crosby & The Andrews Sisters
  • 'It Might as Well Be Spring' – Dick Haymes
  • 'Frühlingsrauschen (Rustle of Spring) Op. 32 No. 3' – Sinding
  • 'Bird Song at Eventide' – Ronnie Ronalde with Robert Farnon and his Orchestra
  • 'Paper Doll' – The Mills Brothers
  • 'Bei Mir Bist Du Schoen' – Al Bowlly with The Ray Noble Orchestra
  • 'Lili Marlene' – Lale Andersen
  • 'I Get Along Without You Very Well' – Lew Stone Band
  • 'Do I Worry?' – The Ink Spots
  • 'Ac-Cent-Tchu-Ate the Positive' – Bing Crosby & The Andrews Sisters
  • 'The Umbrella Man' – Sammy Kaye and his Orchestra
  • 'You Always Hurt the One You Love' – The Mills Brothers
  • 'After You've Gone' – Al Jolson with Matty Malneck's Orchestra and The Four Hits and a Miss
  • 'It's a Lovely Day Tomorrow' – Jack Payne and his Orchestra
  • 'Into Each Life Some Rain Must Fall' – Ella Fitzgerald & The Ink Spots
  • 'The Very Thought of You' – Al Bowlly & The Ray Noble Orchestra
  • 'The Teddy Bear's Picnic' – The Henry Hall Orchestra
  • 'We'll Meet Again' – Vera Lynn

Soundtracks[edit]

The Singing Detective soundtrack was released on vinyl in two different forms:

  • 1986: The Singing Detective (BBC Records CD 608)
  • 1988: The Other Side of the Singing Detective (BBC Records and Tapes BBC CD 708)

Later releases on CD are:

  • 2002: (Portugal) Music from 'The Singing Detective' and More (Golden Star GSS 5349) (3 CD)
  • 2002: (Portugal) Music from 'The Singing Detective' (The Wonderful Music of WMO 90375) (1 CD)

Further reading[edit]

  • Mundy, John (2006). 'Singing Detected: Blackpool and the Strange Case of the Missing Television Musical Dramas'. Journal of British Cinema and Television. Edinburgh University Press. 3 (1): 59–71. doi:10.3366/JBCTV.2006.3.1.59.

References[edit]

  1. ^ abcdefghijThe Singing Detective (supplementary audio track by Jon Amiel and Kenith Trodd). DVD. Disc 1. Prod. BBC; dist. BBC Video, 2002.
  2. ^Arena:Dennis Potter, bbc.co.uk
  3. ^Lynskey, Dorian (11 September 2008). 'Better late than never'. The Guardian. London. Retrieved 30 January 2013.

External links[edit]

Mel Gibson Robert Downey Jr

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The Singing Detective Imdb
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