Critics Consensus: Delightful performance from Robert Downey Jr. Can't save The Singing Detective's transition from TV to the big screen. The Singing Detective is a 2003 American musical crime comedy film directed by Keith Gordon and loosely based on the BBC serial of the same name, a work by British writer Dennis Potter. IMDb 5.6 109 min 'While hospitalized with an extreme case of psoriasis, novelist Dan Dark reworks his first book in his head. Feverish, paranoid and prone to musical outbreaks, he confuses himself with his protagonist, a detective investigating the murder of a prostitute in 1950s Los Angeles.'
EditDirected by
Keith Gordon |
Writing Credits
Dennis Potter | .. | (screenplay) |
Dennis Potter | .. | (television series) |
Cast (in credits order) complete, awaiting verification
Robert Downey Jr. | .. | Dan Dark | |
Robin Wright | .. | Nicola / Nina / Blonde (as Robin Wright Penn) | |
Mel Gibson | .. | Dr. Gibbon | |
Jeremy Northam | .. | Mark Binney | |
Katie Holmes | .. | Nurse Mills | |
Adrien Brody | .. | First Hood | |
Jon Polito | .. | Second Hood | |
Carla Gugino | .. | Betty Dark / Hooker | |
Saul Rubinek | .. | Skin Specialist | |
Alfre Woodard | .. | Chief of Staff | |
Amy Aquino | .. | Nurse Nozhki | |
David Dorfman | .. | Young Dan Dark | |
Eddie Jones | .. | Moonglow Bartender | |
Lily Knight | .. | Woman Physiotherapist | |
Clyde Kusatsu | .. | Visiting Japanese Doctor | |
Earl Poitier | .. | Orderly (as Earl C. Poitier) | |
Don Fischer | .. | Intern | |
Andy Umberger | .. | Mr. Dark | |
David Denman | .. | Soldier with Betty Dark | |
Alec Puro | .. | Dark's Drummer | |
Renn Hawkey | .. | Dark's Bass Player | |
Bryan Law | .. | Dark's Guitar Player | |
Carla Anderson | .. | Dancer | |
Sandahl Bergman | .. | Dancer | |
Rita Bland | .. | Dancer | |
Billy Bonsangue | .. | Dancer | |
Sergio Carbajal | .. | Dancer | |
Leonard Crofoot | .. | Dancer | |
Erin Crouch | .. | Dancer | |
Kiva Dawson | .. | Dancer | |
Richard Dorton | .. | Dancer | |
Brenda Mae Hamilton | .. | Dancer (as Brenda Hamilton) | |
Gordon Hart | .. | Dancer | |
Famisha La Pree | .. | Dancer | |
Suzi Lonergan | .. | Dancer (as Suzie Lonergan) | |
Eva Mikita | .. | Dancer | |
Tara Nicole Hughes | .. | Dancer (as Tara Nicole) | |
Regan Patno | .. | Dancer | |
Randi Cee | .. | Dancer (as Randi Pareira) | |
Sandra Plazinic | .. | Dancer | |
Sheldon Robins | .. | Dancer | |
DeAnna Kane | .. | Dancer (as DeAnna Steele) | |
Tasha Tae | .. | Dancer | |
Elle Taylor | .. | Dancer | |
Delila Vallot | .. | Dancer (as Jessica Vallot) | |
Dee Dee Weathers | .. | Dancer | |
Spice Williams-Crosby | .. | Dancer (as Spice Williams) | |
Darrel W. Wright | .. | Dancer (as Darrel Wright) | |
Dani Wylie | .. | Dancer | |
Rest of cast listed alphabetically: | |||
Rusty Nelson | .. | Bus Rider (uncredited) |
The Singing Detective 2003 Imdb
Produced by
Bruce Davey | .. | producer |
Mel Gibson | .. | producer |
Steven Haft | .. | producer |
Kevin Lake | .. | associate producer |
Jane Potter | .. | co-producer |
Robert Potter | .. | co-producer |
Sarah Potter | .. | co-producer |
Stan Wlodkowski | .. | executive producer |
Cinematography by
Tom Richmond | .. | director of photography |
Film Editing by
Jeff Wishengrad |
Casting By
Denise Chamian |
Production Design by
Patricia Norris |
Set Decoration by
Jan K. Bergstrom |
Costume Design by
Patricia Norris |
Makeup Department
Linda Benavente-Notaro | .. | makeup effects: specialty costumer, Captive Audience (as Linda Venevente-Notaro) |
Anita Brabec | .. | makeup artist |
Patricia Budz | .. | hair stylist |
Greg Cannom | .. | makeup effects creator |
Cory Czekaj | .. | makeup effects technician: Captive Audience |
Alexei Dmitiew | .. | makeup effects production assistant: Captive Audience (as Alexie O'Brien) |
David Dupuis | .. | makeup effects technician: Captive Audience |
Consuelo Durán | .. | makeup effects: specialty costumer, Captive Audience (as Consuelo Duran) |
Nathan Franson | .. | makeup effects technician: Captive Audience Productions |
Gregory J. Goertzen | .. | makeup effects production assistant: Captive Audience (as Gregory Goertzen) |
Claudia Hardy | .. | makeup effects: specialty costumer, Captive Audience |
Tom Killeen | .. | makeup effects technician: Captive Audience |
John Kim | .. | makeup effects technician: Captive Audience |
Mary Kim | .. | production supervisor: Captive Audience |
Vera Mitchell | .. | hair designer: Mr. Gibson |
Mark Nieman | .. | makeup effects technician: Captive Audience |
Michael Peterson | .. | lab makeup effects / makeup effects technician: Captive Audience |
Pam Phillips | .. | key makeup artist |
Art Pimentel | .. | mold shop supervisor: Captive Audience (as Arthur Pimentel) |
Stephen Robinette | .. | hair stylist (as Steve Robinette) |
Sam Sainz | .. | makeup effects technician: Captive Audience |
Brian Sipe | .. | lead character designer: Captive Audience (as Brian Spie) / special makeup supervisor |
Todd Tucker | .. | makeup assistant |
Brian Van Dorn | .. | makeup effects technician: Captive Audience (as Brian Vandorn) |
Keith VanderLaan | .. | makeup effects creator (as Keith Vanderlaan) |
Toni-Ann Walker | .. | hair stylist supervisor |
Patty York | .. | makeup supervisor |
Production Management
Rajeev Malhotra | .. | post-production supervisor |
Stan Wlodkowski | .. | unit production manager |
Second Unit Director or Assistant Director
Eric Heffron | .. | first assistant director |
Michael J. Moore | .. | second assistant director (as Michael Moore) |
David K. Riebel | .. | second second assistant director (as David Reibel) |
Art Department
Curtis Allen | .. | set dresser |
Larry Boyd | .. | set dresser |
Alberto Mauricio Caballero | .. | labor foreman |
Michael Casey | .. | leadman |
Keith Cox | .. | construction coordinator |
Paul Detlefson | .. | set dresser |
Donna Ekins-Kapner | .. | set decorating coordinator (as Donna Ekins) |
Maureen Farley | .. | property master |
Dick Girod | .. | paint foreman (as Richard Girod) |
Brenner Hugh Harris | .. | set dresser (as Brenner H. Harris) |
Brent David Mannon | .. | props |
Merdyce McClaran | .. | assistant property master |
David C. Nute | .. | location foreman (as David Nute) |
Maureen Osborne | .. | set dresser |
C.J. Pyles | .. | on-set dresser |
Jimmy Simeone | .. | set dresser |
Robert Soles | .. | plaster foreman |
Gustavo Traslavina | .. | construction foreman |
Jim Wardell | .. | set dresser |
Maureen Osborne | .. | buyer (uncredited) |
Sound Department
David Franklin Bergad | .. | adr editor (as David Bergad) |
Mark Berger | .. | re-recording mixer |
Frank Canonica | .. | machine room recordist |
Piotr Filipowski | .. | sound effects editor |
Anna Geyer | .. | machine room recordist |
Chris Gridley | .. | assistant sound editor (as Christopher Gridley) |
Nathan Gunn | .. | assistant sound editor |
Rick Kahn | .. | transfer room operator |
James Lebrecht | .. | sound designer |
Marnie Moore | .. | foley artist |
Chris Navarro | .. | adr recordist |
John Nutt | .. | supervising sound editor |
Margie O'Malley | .. | foley artist |
David Parker | .. | re-recording mixer |
Rocky Quiroz | .. | cable person |
Frank Rinella | .. | foley recordist |
Earl Sampson | .. | boom person |
Jonathan Schwartz | .. | apprentice sound editor |
Daniel Sperry | .. | sound consultant: Dolby (as Dan Sperry) |
Greg Steele | .. | adr mixer |
Patti Tauscher | .. | foley editor |
Viet Tran | .. | transfer room operator |
Richard Van Dyke | .. | sound mixer |
James Willetts | .. | assistant foley recordist |
Special Effects by
Scott Blackwell | .. | special effects foreperson |
Jeremy Hays | .. | special effects |
David Peterson | .. | special effects coordinator |
Visual Effects by
Helena Packer | .. | digital effects designer: WhoDoo EFX / lead digital artist: WhoDoo EFX |
Mark Ritcheson | .. | digital effects producer: Whodoo VFX |
Stunts
Christine Anne Baur | .. | stunts (as Christine Bauer) |
Simone Boisseree | .. | stunts (as Simone Boiseree) |
Frankie 'G' Garbutt | .. | stunts |
Jeff Habberstad | .. | stunt coordinator |
Michael Hilow | .. | stunts |
Chris Howell | .. | stunts |
Paul Sklar | .. | stunts |
Erik Stabenau | .. | stunts (as Erick Stabenau) |
Clark Tucker | .. | stunts |
Michael Hilow | .. | stunt double: Adrien Brody (uncredited) |
Clark Tucker | .. | stunt double: Robert Downey Jr. (uncredited) |
Camera and Electrical Department
Dana Lee Anderson | .. | company grip (as Dana Anderson) |
Robert Anzures | .. | rigging grip |
Jon Archibald | .. | rigging grip (as Jon C. Archibald) |
Nick Arnds | .. | best boy grip |
Eddie Avila | .. | second assistant camera |
Randy Babchuck | .. | electrician |
Robert Bennett | .. | camera operator (as Robert P. Bennett) |
Geb Byers | .. | first assistant camera |
John Chickanis | .. | electrician |
Bill Daimant | .. | company grip (as William 'Billy' Diamant) |
Kenny Davis | .. | dolly grip (as Kenneth Davis) |
Joseph Dianda | .. | key grip |
Alan B. Edwards | .. | rigging gaffer (as Alan Edwards) |
Rob Forrest | .. | company grip (as Robert Forrest) |
Alan Frazier | .. | best boy electric |
Jimi Johnson | .. | video assist operator |
Dan Jones | .. | camera loader |
Ted Kennedy | .. | dolly grip |
Dan Kneece | .. | steadicam operator |
Chris Lewis | .. | additional rigging gaffer |
Shaun Madigan | .. | gaffer (as Shaun J. Madigan-McClelland) |
Richard C. Miller | .. | first assistant camera (as Richard Miller) |
Sacha Riviere | .. | second assistant camera |
Lorey Sebastian | .. | still photographer |
Charles Simons | .. | dolly grip |
Casting Department
Jennifer Bender | .. | extras casting |
Dena Berman | .. | casting associate |
Barbara Harris | .. | adr voice casting |
Costume and Wardrobe Department
Tom Dawson | .. | costume supervisor |
Anne Hartley | .. | key costumer (as Anne Winsor Hartley) |
Kelly Lindquist | .. | key costumer |
Mimi Maxmen | .. | assistant costume designer |
Editorial Department
Imelda Betiong | .. | assistant editor |
Bob Fredrickson | .. | color timer |
Bryan McMahan | .. | colorist: mastering |
Anthony Miller | .. | assistant editor |
Melissa Remenarich-Aperlo | .. | first assistant editor |
Location Management
Jeremy Alter | .. | location manager |
William Jorgenson | .. | assistant location manager |
Carson Turner | .. | assistant location manager |
Music Department
Steven Saxton | .. | executive music producer |
Michael Carey Schneider | .. | music coordinator |
Ken Weiss | .. | music supervisor |
Transportation Department
Jeff Couch | .. | transportation captain |
Paulie DiCocco | .. | driver |
Alan Kaminsky | .. | transportation co-captain |
Brian Kay | .. | production van driver |
A. Welch Lambeth | .. | transportation coordinator (as Welch Lambeth) |
John McLaughlin | .. | driver: honeywagon |
Matthew Talamantes | .. | driver |
Harold L. Woods | .. | driver |
Other crew
Tony Baldridge | .. | technical supervisor: Legend Films, Inc. |
Larry Ballard | .. | medic |
Andrew Blau | .. | production coordinator |
Sara Boik | .. | production assistant (as Sarah Boik) |
Anna Bradley | .. | extras casting assistant |
Steven Butensky | .. | production accountant |
Vicki Christianson | .. | chief financial officer: Icon |
Wil Collins | .. | production assistant |
Atmadev Cornelius | .. | main title designer: MWP Editorial (as Ãtmadev Cornelius) |
Marsha Craig | .. | studio teacher |
Judy Dickerson | .. | dialect coach |
Marc C. Geschwind | .. | extras coordinator |
Penny Gillman | .. | payroll accountant (as Penny A. Gillman) |
Paul Giorgi | .. | first assistant accountant |
Jane Goldsmith | .. | script supervisor |
Paul Green | .. | executive vice president: Icon |
Casey Jordan | .. | production assistant |
Jason Kennedy | .. | production assistant |
Matt Lake | .. | production assistant |
Bill Landrum | .. | choreographer |
Jacqui Landrum | .. | choreographer (as Jacqui) |
Jim Meenaghan | .. | business and legal affairs: Icon (as James Meenaghan) |
Christos Michaels | .. | business and legal affairs for Icon Entertainment International |
Beth Unger Morrison | .. | script clearance |
Dale Ottley | .. | production secretary |
Jimmy Rich | .. | assistant: Mr. Downey |
Monica Rust | .. | medic |
Janell M. Sammelman | .. | production assistant |
Traceigh Scottel | .. | assistant production coordinator |
Noah Segan | .. | production assistant |
Rebecca Snavely | .. | assistant: Mr. Gordon |
Shawn Stevens | .. | craft service |
Amy Tillman | .. | business and legal affairs: Icon |
Lisa Tritico | .. | medical advisor |
Bonnie F. Watkins | .. | assistant: Mr. Davey |
Hondo Weiss-Richmond | .. | production assistant |
Marvin Williams | .. | production assistant (as Marvin J. Williams Jr.) |
Michael J. Harker | .. | completion bond company representative (uncredited) |
Thanks
Rachel Griffin | .. | the filmmakers wish to thank the following for their assistance |
The Singing Detective | |
---|---|
Genre | Film Noir Musical |
Created by | Dennis Potter |
Written by | Dennis Potter |
Directed by | Jon Amiel |
Starring | Michael Gambon Jim Carter Lyndon Davies Patrick Malahide Bill Paterson Alison Steadman Janet Suzman Joanne Whalley Imelda Staunton |
Country of origin | United Kingdom |
Original language(s) | English |
No. of series | 1 |
No. of episodes | 6 |
Production | |
Executive producer(s) | Rick McCallum |
Producer(s) | Kenith Trodd John Harris |
Running time | 6h42m57s |
Release | |
Original network | BBC1 |
Original release | 16 November – 21 December 1986 |
Chronology | |
Related shows | Pennies From Heaven(1978) Lipstick on Your Collar(1993) |
The Singing Detective is a BBC television serial drama, written by Dennis Potter, which stars Michael Gambon and was directed by Jon Amiel. The six episodes were 'Skin', 'Heat', 'Lovely Days', 'Clues', 'Pitter Patter' and 'Who Done It'.
The serial was broadcast in the United Kingdom on BBC1 in 1986 on Sunday nights from 16 November to 21 December with later PBS and cable television showings in the United States. It won a Peabody Award in 1989. It ranks 20th on the British Film Institute's list of the 100 Greatest British Television Programmes, as voted by industry professionals in 2000. It was included in the 1992 Dennis Potter retrospective at the Museum of Television & Radio and became a permanent addition to the Museum's collections in New York and Los Angeles. There was co-production funding from the Australian Broadcasting Corporation. It was released on DVD in the US on 15 April 2003 and in the UK on 8 March 2004.
- 2Production
- 4Music
Plot[edit]
Mystery writer Philip E. Marlow is suffering writer's block and is hospitalised because his psoriatic arthropathy, a chronic skin and joint disease, is at an acute stage forming lesions and sores over his entire body, and partially cripples his hands and feet. (Dennis Potter suffered from this disease himself, and he wrote with a pen tied to his fist in much the same fashion Marlow does in the last episode. Although severe, Marlow's condition was intentionally understated compared to Potter's whose skin would sometimes crack and bleed.)[1]
As a result of constant pain, a fever caused by the condition, and his refusal to take medication, Marlow falls into a fantasy world involving his Chandleresque novel, The Singing Detective, an escapist adventure about a detective (also named 'Philip Marlow') who sings at a dance hall and takes the jobs 'the guys who don't sing' won't take. Marlow is 'plot-dreaming,' trying out various solutions to a working plot in his head, deciding as he goes what plot element works best with what character or situation, interspersed with bits of ideas that occur to him off the wall, and discarding (with some afterthoughts) parts of his story that no longer work when other changes have been made.
The real Marlow also experiences flashbacks to his childhood in rural England, and his mother's life in wartime London. The rural location is presumably the Forest of Dean, Potter's birthplace and the location for filming, but this is never stated explicitly (though the young Philip's references to his home in 'the Forest' come close). The suicide of his mother is one of several recurring images in the series; Marlow uses it (whether subconsciously or not) in his murder mystery, and sometimes replaces her face with different women in his life, real and imaginary. The noir mystery, however, is never actually solved; all that is ultimately revealed is an intentionally vague plot involving smuggled Nazi war criminals being protected by the Allies and Soviet agents attempting to stop them. This perhaps reflects Marlow's view that fiction should be 'all clues and no solutions'.
The three worlds of the hospital, the noirthriller, and wartime England often merge in Marlow's mind, resulting in a fourth layer, in which character interactions that would otherwise be impossible (e.g. fictional characters interacting with non-fictional characters) occur. This is evident in that many of Marlow's friends and enemies (perceived or otherwise) are represented by characters in the novel: particularly, Raymond, Marlow's mother's lover, appears as the central antagonist in the 'real' and noir worlds (although the 'real' Binney/Finney is ultimately a fantasy as well). The use of Binney as a villain stems from the fact that Binney committed adultery with Marlow's mum and simultaneously (and perhaps publicly) cuckolded Marlow's dad, whom Marlow loved. Marlow's own guilt at his apparent belief that he caused his parents' separation and even his mother's suicide is exacerbated by his early childhood memory when he framed young Mark Binney for defecating on the desk of a disciplinarian elementary teacher (Janet Henfrey). The innocent Binney is brutally beaten in front of the classroom, and Marlow is lauded for telling the 'truth'. All of these events haunt Marlow, and one of the shadowy villains who apparently is determined to kill Marlow looks very much like an adult version of the real child, Mark Binney. The real Mark Binney eventually ends up in a mental institution, as Marlow confesses later to the psychiatrist. The villainous Binney/Finney character is killed off in both realities. It is suggested that in each reality, the guilt of Binney/Finney/Mark is entirely the product of Marlow's imagination as in one case, Finney the wife's lover does not exist, in the other it is the name of the character Marlow chooses as the guilty party and the boy's guilt is a lie told by Marlow to his teacher. However, in the end, Marlow chooses a killer, who looks more like adult Binney, to live, and himself to die, thus showing growth. Janet Henfrey has previously played the same character in Potter's earlier TV play Stand Up, Nigel Barton.
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Some members of the cast play multiple roles. Marlow and his alter-ego, the singing detective, are both played by Gambon. Marlow as a boy is played by Lyndon Davies. Mark Binney (schoolboy) is played by William Speakman. Davies and Speakman were contemporaries at Chosen Hill school in Gloucestershire, close to Potter's birthplace of the Forest of Dean. Patrick Malahide plays three central characters—the contemporary Finney, who Marlow thinks is having an affair with his ex-wife Nicola, played by Janet Suzman; the imaginary Binney, a central character in the murder plot; and Raymond, a friend of Marlow's father who has an affair with his mother (Alison Steadman). Steadman plays both Marlow's mother, and the mysterious 'Lili', one of the murder victims. At the end of the serial Marlow and Nicola appear to have repaired their relationship.
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Production[edit]
In Potter's original script, the hospital scenes and noir scenes were to be shot with television (video) and film cameras respectively, with the period material (Marlow's childhood) filmed in black-and-white.[1] However, all scenes were ultimately shot on film, over Potter's objections. Potter wanted the hospital scenes to maintain the sensibility of sitcom conventions.[1] Although this was tempered in the final script, some character interactions retain this concept. For example, Mr. Hall and Reginald, who are also intended to serve as a mock chorus for the main action occurring in the hospital.[1]
Originally, the title of the series was 'Smoke Rings', and the Singing Detective noir thriller was to be dropped after the first episode; Potter felt it would not hold the audience's attention.[1] The title may have referred to a particular monologue Marlow has in the first episode, referring to the fact that, despite everything else, the one thing he really wants is a cigarette.[1] Marlow's medical and mental progress is subtly gauged by his ability to reach over to his dresser and get his cigarettes.[1]
Sources[edit]
Borrowing portions of his first novel, Hide and Seek (1973), Potter added autobiographical aspects (or, as he put it, deeply 'personal' aspects),[1] along with 1940s popular music and the aforementioned film noir stylistics. The result is regarded by some as one of the peaks of 20th-century drama.[2] Marlow's hallucinations are not far from the Philip Marlowe in Murder, My Sweet, the 1944 film adaptation of Raymond Chandler's Farewell, My Lovely, with Dick Powell as Marlowe. Powell himself would later portray a 'singing detective' on radio's Richard Diamond, Private Detective, serenading his girlfriend, Helen Asher (Virginia Gregg), at the end of each episode.
A reference is made in the last episode to a novel by Agatha Christie, The Murder of Roger Ackroyd. Download myob premier v19. This may be meant to suggest that Marlow is an unreliable narrator.
Influence[edit]
Although The Singing Detective did not meet with spectacular viewing figures, it proved influential within the television industry. The serial met with considerable critical praise in America. Steven Bochco has credited the serial as the chief inspiration for Cop Rock (1990), although unlike The Singing Detective, Bochco's drama features specially recorded musical numbers rather than pre-existing work.
The serial was adapted into a 2003 American film featuring Robert Downey, Jr. and Mel Gibson, with the locations changed to the United States.
The British rock band Elbow took their name from a line in the series that declared elbow the 'loveliest word in the English language'.[3] Creative labs ct4780 sound blaster live driver.
Music[edit]
As well as its dark themes, the series is notable for its use of 1940s-era music, often incorporated into surreal musical numbers. This is a device Potter used in his earlier miniseries Pennies from Heaven. The main theme music is the classic 'Peg o' My Heart', of Ziegfeld Follies fame. The upbeat music as the theme for such a dark story is perhaps a reference to Carol Reed's The Third Man, with a harmonica in the place of a zither (The Third Man is indeed referenced in a number of camera shots, according to DVD commentary).[1] Director Jon Amiel compiled and spliced the generic thriller music used throughout the series from 60 library tapes he had brought together.[1]
The Singing Detective Film
The following is a chronological soundtrack listing:
- 'Peg o' My Heart' – Max Harris & his Novelty Trio (theme song; instrumental)
- 'I've Got You Under My Skin' – The BBC Dance Orchestra directed by Henry Hall
- 'Blues in the Night' – Anne Shelton
- 'Dry Bones' – Fred Waring and His Pennsylvanians
- 'Rockin' in Rhythm' – The Jungle Band (Duke Ellington and his Famous Orchestra)
- 'Cruising Down the River' – Lou Preager Orchestra
- 'Don't Fence Me In' – Bing Crosby & The Andrews Sisters
- 'It Might as Well Be Spring' – Dick Haymes
- 'Frühlingsrauschen (Rustle of Spring) Op. 32 No. 3' – Sinding
- 'Bird Song at Eventide' – Ronnie Ronalde with Robert Farnon and his Orchestra
- 'Paper Doll' – The Mills Brothers
- 'Bei Mir Bist Du Schoen' – Al Bowlly with The Ray Noble Orchestra
- 'Lili Marlene' – Lale Andersen
- 'I Get Along Without You Very Well' – Lew Stone Band
- 'Do I Worry?' – The Ink Spots
- 'Ac-Cent-Tchu-Ate the Positive' – Bing Crosby & The Andrews Sisters
- 'The Umbrella Man' – Sammy Kaye and his Orchestra
- 'You Always Hurt the One You Love' – The Mills Brothers
- 'After You've Gone' – Al Jolson with Matty Malneck's Orchestra and The Four Hits and a Miss
- 'It's a Lovely Day Tomorrow' – Jack Payne and his Orchestra
- 'Into Each Life Some Rain Must Fall' – Ella Fitzgerald & The Ink Spots
- 'The Very Thought of You' – Al Bowlly & The Ray Noble Orchestra
- 'The Teddy Bear's Picnic' – The Henry Hall Orchestra
- 'We'll Meet Again' – Vera Lynn
Soundtracks[edit]
The Singing Detective soundtrack was released on vinyl in two different forms:
- 1986: The Singing Detective (BBC Records CD 608)
- 1988: The Other Side of the Singing Detective (BBC Records and Tapes BBC CD 708)
Later releases on CD are:
- 2002: (Portugal) Music from 'The Singing Detective' and More (Golden Star GSS 5349) (3 CD)
- 2002: (Portugal) Music from 'The Singing Detective' (The Wonderful Music of WMO 90375) (1 CD)
Further reading[edit]
- Mundy, John (2006). 'Singing Detected: Blackpool and the Strange Case of the Missing Television Musical Dramas'. Journal of British Cinema and Television. Edinburgh University Press. 3 (1): 59–71. doi:10.3366/JBCTV.2006.3.1.59.
References[edit]
- ^ abcdefghijThe Singing Detective (supplementary audio track by Jon Amiel and Kenith Trodd). DVD. Disc 1. Prod. BBC; dist. BBC Video, 2002.
- ^Arena:Dennis Potter, bbc.co.uk
- ^Lynskey, Dorian (11 September 2008). 'Better late than never'. The Guardian. London. Retrieved 30 January 2013.
External links[edit]
Mel Gibson Robert Downey Jr
Wikiquote has quotations related to: The Singing Detective |
- The Singing Detective on IMDb
- Dennis Potter & The Singing Detective Critical essay from British Film Resource
- The Singing Detective at TV.com